More on Susan Sontag
Great post from At Any Street Corner that pays tribute to Susan Sontag and even manages to provide insight into the dynamics of current horrors.
At Any Street Corner writes: "I have just re-read parts of Sontag's Regarding The Pain Of Others which seems to speak directly to the catastrophe that has unfolded in Asia and the visual reporting of it. Near the end she has a ferocious passage in which she excoriates those "citizens of modernity, consumers of violence as spectacle, adepts of proximity without risk'' who ''will do anything to keep themselves from being moved" by disaster or pain. Surely she speaks of a profound truth when she says that photographs - like those we have seen recently - "haunt us" and also help to form part of a narrative of understanding and, ultimately, of solidarity. And then she has this to say of the impudence of the postmodern obsession of pain as spectacle:
To speak of reality becoming a spectacle is a breathtaking provincialism. It universalizes the viewing habits of a small, educated population living in the rich part of the world, where news has been converted into entertainment .... It assumes that everyone is a spectator. It suggests, perversely, unseriously, that there is no real suffering in the world. But it is absurd to identify the world with those zones in the well-off countries where people have the dubious privilege of being spectators, or of declining to be spectators, of other people's pain ... consumers of news, who know nothing at first hand about war and massive injustice and terror. There are hundreds of millions of television watchers who are far from inured to what they see on television. They do not have the luxury of patronizing reality."
At Any Street Corner writes: "I have just re-read parts of Sontag's Regarding The Pain Of Others which seems to speak directly to the catastrophe that has unfolded in Asia and the visual reporting of it. Near the end she has a ferocious passage in which she excoriates those "citizens of modernity, consumers of violence as spectacle, adepts of proximity without risk'' who ''will do anything to keep themselves from being moved" by disaster or pain. Surely she speaks of a profound truth when she says that photographs - like those we have seen recently - "haunt us" and also help to form part of a narrative of understanding and, ultimately, of solidarity. And then she has this to say of the impudence of the postmodern obsession of pain as spectacle:
To speak of reality becoming a spectacle is a breathtaking provincialism. It universalizes the viewing habits of a small, educated population living in the rich part of the world, where news has been converted into entertainment .... It assumes that everyone is a spectator. It suggests, perversely, unseriously, that there is no real suffering in the world. But it is absurd to identify the world with those zones in the well-off countries where people have the dubious privilege of being spectators, or of declining to be spectators, of other people's pain ... consumers of news, who know nothing at first hand about war and massive injustice and terror. There are hundreds of millions of television watchers who are far from inured to what they see on television. They do not have the luxury of patronizing reality."
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